A promotion attempt by Sega
http://www.thefreelibrary.com/Motor+show+2000-+The+Top+10+attractions+at+the+NEC.-a066100110
Press Release
MSR goes to Motor Show
Tue 10 Oct 2000
Sega is unveiling the fantastic Metropolis Street Racer at the Birmingham Motor Show.
The Dreamcast stand also features Ferrari F355 Challenge, POD 2 and Speed Devils. Visitors to the show, which runs from October 18-29 [2000], will be able to test drive MSR's range of fabulous marques including the Nissan Skyline, Toyota Supra and Mitsubishi Lancer.
The Dreamcast games are located at Stand 1100. The show opens daily between 9.30am and 7pm (closes 5.30pm on October 29 2000).
Saturday, 7 November 2015
Thursday, 5 November 2015
Final Overtake Challenge (Chapter 24, Stage 5)
A video I made back in 2011. Notable as it's one of the few challenges where Kudos exploits do not work due to the minimum number of cars (6) and the strict 3 minute time limit. Add in an extra car to squeeze past and only those who drive well can succeed; you can see I only just made it!
Cars Overtaken: 7
Course: San Francisco - Long - Fisherman's Wharf - Jefferson West IV
Car: Nissan Skyline GTR (Manual Gears/ABS Off)
Weather: Misty
Refresh Rate: 60hz
Rosco TV: MSR Cover Photoshoot
The story behind the cover photos.
http://rosco.tv/Metropolis-Street-Racer
On a sidenote, I think I've found out who was driving the Vauxhall VX220 in the opening sequence. Let's just say he went on to bigger and better things and found success in movie special effects!
http://rosco.tv/Metropolis-Street-Racer
On a sidenote, I think I've found out who was driving the Vauxhall VX220 in the opening sequence. Let's just say he went on to bigger and better things and found success in movie special effects!
Wednesday, 4 November 2015
MSR Developer Diaries
NB. The older of the Diaries refer to the time when the game was called Crimson......
[18.11.2000]
Well, the project was finally mastered, passed Sega approval, and sent off to manufacture, and so we all slept for a week.
Then when more bugs got reported, we mastered it again a couple of times, and then slept again. And, considering the hours of sleep we lost at the end of the project, we really should sleep some more!
Then it was holiday time. And that's where it's at now, really - people are either still asleep, or on holiday! Or recovering from getting married. Or counting their bruises from the drinking sessions. MSR is finally out there, on the shelves (albeit with a few early hiccups). The US version is also finished, and the Japanese one well underway too....
We enjoyed making it (well, some of the time!) and we hope that you'll enjoy playing it too!
The MSR team
[29.1.1999]
Well, an update! What an extraordinary move! Yes, it's been a while, but we have had Christmas in the middle...
So what's been happening on Metropolis then? It's actually beginning to come together nicely.......and it really is starting to feel like a game, rather than a pre-alpha. For those who aren't all that au fait with gaming technology, a pre-alpha is like a very very early version of a game, showing an idea of where it's going, but far off the real thing.
We've been hard at work on all aspects of the game, and I suppose it's a good idea to give a quick run-down of what's been going on, continuing, of course, with the Sega policy of not giving any details at all for now! (Sorry, guys!!)
Artwork - the final research is rolling in, and Brian (the Producer) has been off on a little visit to get some more information for one of the artists. There's now so much in the way of research materials that the artists are working hidden away behind piles of boxes! Lee, who has been doing a lot of the texture work, is going to start to learn the complexities of SoftImage, the 3D modelling package we're using for Metropolis, so watch out for him losing even more of his hair than before!
Programming - there's been a little shuffling of tasks to make sure that we can get it all done in time. It's getting to look more and more of a game, with little gameplay touches being added every day, and special effects going in too. The front end isn't properly attached yet, which means it has problems going to the toilet!
Last week was the week of the big telly. We have to demo the game to some Sega VIPs next week, and showing it on a little 15" monitor or a 14" portable TV wasn't really showing it at its full potential. So we went out and got a HUGE 29" TV, which really makes it look cool! Matt (the Lead Coder) has it weighing down his desk and giving him eyestrain at the moment!
And now, the serious news from the Metropolis office - the mystery of 'THE FERTILITY CHAIR'!!!
It all started about 9 months ago, when one of the Senior Artists on the team announced that he was expecting a baby. (OK, his girlfriend was, we're not miracle workers!) This was quickly followed by one of the Programmers. Shortly after, someone from the Furballs team announced the same thing..... ahh, we thought, it's not just the Metropolis team! But now there's another Senior Artist who's expecting and we've worked it out!
It's the Fertility chair! Somewhere in the Metropolis office is a chair which is causing this. Sit too long on the chair and you'll be next in line! The programmer from Furballs had obviously gone in to get some advice from the Metropolis programmers and sat too long on that very chair! So now the sweepstake is on - who is going to be next? Watch this space..........
Interesting fact: Our spies inform us that No Cliche have had the same effect on their Dreamcast team. Could they have a fertility chair there too? Perhaps there is more to this mystery, involving prolonged exposure to Dreamcast Development kits? Only time will tell.......!!!
More news on the chair and other totally irrelevant wafflings next week...................
[4.12.1998]
Well, it's been a while, I know, but we're at one of those 'middle' stages of development where everything is busy busy behind the scenes, but no real exciting breakthroughs get made. The last couple of weeks have been really hectic, getting a demo ready for a Sega internal meeting. It's always difficult to put demos together when the game is in 'mid-flow' as some things aren't ready, and the programmers often need to hack temporary code in to make things work for the demo. However, it all came together well, and we hope Sega will be pleased with it.
A cool event since the last update was the Argonaut 'Red Dog' Team came up to play (!) a couple of weeks ago. It was really good to swap notes with another 1.5 party developer - it looks like Argonaut go about development the same way as us! The Artists all compared how things were being done, and the changes you have to make when working for a new and unknown platform. Evidently, we'd both had to explore similar avenues in the early stages.... which is reassuring to know! The Programmers got to swap Dreamcast coding tips, which was useful too.
After a useful day, we headed off to the local Est!Est!Est! Italian Restaurant, which provided the usual fantastic food. The Bizarre guys all settled down to the task of getting Jez and the guys as drunk as we could!!! This involved huge amounts of Italian wine and Grappa, an Italian liqueur, which is probably the best thing ever to give you a stonking hangover next day. Of course, we all talked about serious Dreamcast development issues all evening, honest!
When the restaurant finally got round to scraping us off the tables, we headed off to the Codemaster's 'Music' Launch Party in Liverpool city centre. The guys at Jester Interactive (the ones who came up with the idea and developed the game) were brilliant, and gave us VIP entry tickets for us and the Argonaut troop! The party had some brilliant DJ's, firedancers on 6 foot stilts (actually dancing!!), and free beer - always a popular addition!
The party was a real success, we all had fun playing 'Music' (give it a go, you'll love it!), drinking beer, dancing and saying hi to loads of game developers from the NW UK. Honourable drunken mentions go to Studio 33 (still standing but not quite coherent!), 'Game' Liverpool (definitely wobbling, and very late for work next day!), Philip Morris (a beer and a big grin), Curly Monsters (far too sober when we saw them!), Jenny??? (Martyn's only Wiz 'n' Liz fan!!!), and of course Codemasters and Jester Interactive (whose musician had to leave to stop his house exploding due to a gas leak!)
Happily for some, I'm not going to mention anything about plans for strip clubs, Walter's Pec's, or anyone getting really drunk (as we all went to bed with a cup of cocoa at 10pm, following the shining example that Nick always sets). OK?
Well, sorry it's not been the most informative of update regarding the game, but as we're still only mid-development, there is nothing really exciting to report. The cities are gradually getting modelled (a long and detailed process!), the game's gradually being coded, and when there's more concrete progress that we can talk about in detail, we'll let you know!
[18.9.1998]
Well, it's now post ECTS, with the standard aching legs and free t-shirts, but the pressure's still on!!
ECTS was cool as usual, and it was really great to see glimpses of the other Dreamcast titles, and a longer look at Sonic Adventure. The quality of all the titles was high, and it really looks like Sega are going to have an awesome line-up at both Japanese and European launch. We've many months of development left on our game, but there's obviously still lots to do before European launch! Looking at the near-finished Japanese titles is certainly an inspiration!
We have an internal demo deadline looming now, which should get us to a set stage in development by the 29th of this month. ECTS provided a brief respite for the team, but it's back to work in earnest now. For example, we're starting to get engine optimisations in place to take advantage of the later development kits, and to get some of the early 'driving' effects in.
The artists are all concentrating on a set goal, which is hard to describe without giving too much of the game away (I hear you say 'darn it'!) The texturing is proving to be the most time-consuming task for all the artists, as we're trying to get a high level of detail in both modelling and texturing terms.
So it's busy, busy, busy for now!
[21.8.1998]
Time for another update, I suppose!
Things have been building up pace in the last month or so, especially on the art side of things. Some of the Artists have been out of the office on research trips for the game, and there's plenty of research material cluttering up the Metropolis end of the office. We're having to get another 4 bookcases, just to cope with this batch of materials!!
On the programming side, the editor is nearly sorted, and the artists are using it to get the initial layouts in place. It's difficult at this stage, because you're developing the editors alongside the layouts themselves, and also alongside the need to have something playable for the gameplay side of things. It's an iterative process (big word for a Friday, I know) - everyone starts with something basic, and then you all build on it in stages, until you achieve the desired result.
As an aside, there's a nice little development community building up around Dreamcast over here in Europe already. The 1.5 party developers have been joined (in a development sense) by other key developers from around Europe. These newer developers are just finding their feet, and we're realising we can help them out, having gone through this stage ourselves. We met up a couple of weeks ago with another UK development team, who were just getting going on the kits (sorry, no names, but hello to them, they know who they are ;-) It's great to see loads of developers over here getting involved, and we wish them all well with their ideas.
[31.7.1998]
OK, here's the REAL update! Things are progressing fine, if a little slower on the artwork side - as there are 2 artists currently off somewhere secret on a research trip. We have a new texture artist starting on Monday to help all of the 3D artists out - but he's from the N-E of England, so we have to use a translator!
The programming is coming along well too, with the next revision of the 3D engine being started on now. 3D engines are always an iterative process - you do a bit, then do some more, then scrap some and re-do it, then add some more, then revise that, etc. etc.....
A bit of a worry this week has been the rabbits. We have had an outbreak of rabbits in a Metropolis city, which has caused many problems...... A programmer who shall remain nameless found an old cartoony animation of a rabbit and inserted loads of the little buggers into the city. It looked totally hilarious, especially when the cute little animals hopped bouncily up to and tried to jump off an overhanging bridge!!!
[5.6.1998]
An Introduction to Sega
Yippee! We can finally talk about Metropolis! It's been so difficult keeping this project secret, along with the fact that we've been Dreamcast developers for a long time now! We thought the game was up about a week or so before the Press Conference in Japan, when Game-Online said that they knew about a project codenamed 'Crimson' in development. Luckily, a hasty name change seemed to cover that one up, and we managed to keep the game quiet until the conference, which was Sega Europe's aim!
And from now we can be a little more open in the Diaries, and chart the progress of the project on the new platform, rather than avoiding the issue! Perhaps some of the earlier diaries make a little more sense now, especially when you know Sega is the publisher too!
In this diary, I want to bring you up to date with the cool we're working with (I'll leave the more nitty gritty project details for the next update). So now let me introduce you all to a few people from Sega, who have been mentioned under codenames in previous diaries:
Kats 'Kylie' Sato: Kats is our Senior Producer, who looks after us, works with us on game design issues, and doesn't make the tea - but we're working on that! You may have heard his name before from his work on Sonic R (Producer), Clockwork Knight (Character and game Designer) and if you're really old (!), Outrunners (Artist). Kats is Japanese, as you might have guessed, and used to work in Sega AM and CS departments, before being sent to Europe to persecute European developers. Our current quest with Kats is to teach him the English art of sarcasm!
Jose 'Josephine' Aller: Jose is also working on the project, as our Assistant Producer. Jose has worked at Sega Europe since the distant days of the Megadrive (Genesis for our American cousins) in the 3rd Party support group. And now - perhaps as a punishment for some hideous crime? - he has been paired up with Kats to work in Development on our Metropolis Project. Jose is a very good Producer, mainly down to the fact that he's ACTUALLY MADE THE TEA - hint, hint, Kats! Our current quest with Jose is to find out his 2 very secret middle names which he won't tell us!
Mark Maslowicz: Mark is the cool dude who now manages Third Party Licensing and Acquisitions. He generally looks after us little developers, and is probably the first port of call for any developers interested in Dreamcast development. Mark carries some interesting photos in his wallet (scanner at the ready!), and has been known to use one of them as an excellent chat-up line - 'Would you like to see my Ferrari?'
'Hoshy' Hoshino: Mr Hoshino has recently moved over from Japan to head up the Third Party division of Sega Europe, and deals mainly with business issues. He's been helping the Bizarre bunch out in many ways, including teaching us some useful Japanese phrases, and introducing us to Grappa, an Italian liqueur, which is well recommended if you want an excellent hangover!
Colin Carter: Colin is in charge of European Technical Support department in London, and therefore speaks many languages - C, C++, binary..... Although the story of Colin's karaoke rendition of 'Anarchy in the UK' has reached the far corners of the development community, Colin has another deep dark secret which we won't mention. Honest. Nope, not at all.
There are, of course, many other people we have been working with in both Sega Europe and Japan, but those mentioned are the people who have to put up with us on a day-to-day basis. We'd like to say a big hello and thank you to them all!
Metropolis itself is progressing well - the progress report on the project will follow in the next update.
[24.4.1998]
This occurred as someone found out that a game called Crimson was in development for Dreamcast. It was important that we kept our Dreamcast involvement secret until the press conference in Japan, hence the swift denials and hurried name change!
[4.4.1998]
Well, the demo is finished and done and sent off! It seems to be well received, which is alright with us!
We've learnt quite a bit in doing the demo. It was a great testing ground for the tools, and also the methods the artists are using for modelling. The artists are planning how to take the next stage further, and doing some test pieces to see if the current theories are correct.
Playability is such a major part of any game, and the planning of the playing environment is the latest issue we're working on. It's difficult to describe without actually explaining the game, so I'm afraid you'll have to bear with us on this one for the time being.
However, our new Publishers have provided us with some brilliant people to support the development, so they've been helping out where-ever they can. Hello to them - they know who they are!!!
Still don't know when the game is going to be announced, especially as its so early on in development. All the PR and marketing for a new game always has to be carefully planned and scheduled, so you have to keep things under wraps until it's all ready to go. But you can be sure we'll let you know what it is as soon as we can!
[6.3.1998]
Working towards another demo, which is designed to show us how well all our tools and methods are working for constructing the game. No 'day-by-day' account, I'm afraid, as the webmaster was on holiday and therefore not there to witness the progress in person!
The last demo done was playable, but still had the test engine and no AI at all. This is the first time that the beginnings of the real engine, and early AI are actually in the game, so it will be interesting to see how it all fits together.
The artists are working on bringing together the modular work they have been doing, and seeing how well it all works, especially with the editor.
So tune in next week for a blow-by-blow account of how it's gone!!
[13.2.1998]
It's a busy time for the Crimson team, with an internal demo deadline at the end of the month. And so, with the law of sod, this week has been as hectic as they come.
Monday: Some Austrian Journalists and Competition winners come to play. Matt scares them, and the Artists show them the F1 tracks and stuff. People have trouble remembering how F1 and F1 '97 were made! Well, it was months and months ago! Big respect due from all of us to the guy from Red Bull who visited. He doesn't realise how his product kept everyone going through the long nights putting the games together! We swap him a huge F1 '97 Jean Alesi for some Red Bull - sounds like a good deal!
Tuesday: The Crimson team invite their friends, Kylie and Josephine, over to play. Kylie beats her high score at Nemesis. Pizza for lunch - Steve from Psygnosis offers us all eating lessons.
Wednesday: Dave sulks all day as Nemesis - his favourite - has been replaced in the office arcade machine by Robocop. Everyone else tries to get top of the Robocop league.
Thursday: Not even the new machines arriving could stop the despondency felt by the team when a friend of theirs didn't come over. Boo Hoo! Keef was so upset, he went to Paris for the week-end.
Friday: A big meeting to check the progress of the project. All seems to go smoothly - the programmers didn't need the straight jackets much. Everyone's happy with progress, and so celebrations are in order! We all go to the bowling alley after work for a few shandies, to take over the pool tables, and to try and beat the high score on 'House of the Dead'!
[18.11.2000]
Well, the project was finally mastered, passed Sega approval, and sent off to manufacture, and so we all slept for a week.
Then when more bugs got reported, we mastered it again a couple of times, and then slept again. And, considering the hours of sleep we lost at the end of the project, we really should sleep some more!
Then it was holiday time. And that's where it's at now, really - people are either still asleep, or on holiday! Or recovering from getting married. Or counting their bruises from the drinking sessions. MSR is finally out there, on the shelves (albeit with a few early hiccups). The US version is also finished, and the Japanese one well underway too....
We enjoyed making it (well, some of the time!) and we hope that you'll enjoy playing it too!
The MSR team
[29.1.1999]
Well, an update! What an extraordinary move! Yes, it's been a while, but we have had Christmas in the middle...
So what's been happening on Metropolis then? It's actually beginning to come together nicely.......and it really is starting to feel like a game, rather than a pre-alpha. For those who aren't all that au fait with gaming technology, a pre-alpha is like a very very early version of a game, showing an idea of where it's going, but far off the real thing.
We've been hard at work on all aspects of the game, and I suppose it's a good idea to give a quick run-down of what's been going on, continuing, of course, with the Sega policy of not giving any details at all for now! (Sorry, guys!!)
Artwork - the final research is rolling in, and Brian (the Producer) has been off on a little visit to get some more information for one of the artists. There's now so much in the way of research materials that the artists are working hidden away behind piles of boxes! Lee, who has been doing a lot of the texture work, is going to start to learn the complexities of SoftImage, the 3D modelling package we're using for Metropolis, so watch out for him losing even more of his hair than before!
Programming - there's been a little shuffling of tasks to make sure that we can get it all done in time. It's getting to look more and more of a game, with little gameplay touches being added every day, and special effects going in too. The front end isn't properly attached yet, which means it has problems going to the toilet!
Last week was the week of the big telly. We have to demo the game to some Sega VIPs next week, and showing it on a little 15" monitor or a 14" portable TV wasn't really showing it at its full potential. So we went out and got a HUGE 29" TV, which really makes it look cool! Matt (the Lead Coder) has it weighing down his desk and giving him eyestrain at the moment!
And now, the serious news from the Metropolis office - the mystery of 'THE FERTILITY CHAIR'!!!
It all started about 9 months ago, when one of the Senior Artists on the team announced that he was expecting a baby. (OK, his girlfriend was, we're not miracle workers!) This was quickly followed by one of the Programmers. Shortly after, someone from the Furballs team announced the same thing..... ahh, we thought, it's not just the Metropolis team! But now there's another Senior Artist who's expecting and we've worked it out!
It's the Fertility chair! Somewhere in the Metropolis office is a chair which is causing this. Sit too long on the chair and you'll be next in line! The programmer from Furballs had obviously gone in to get some advice from the Metropolis programmers and sat too long on that very chair! So now the sweepstake is on - who is going to be next? Watch this space..........
Interesting fact: Our spies inform us that No Cliche have had the same effect on their Dreamcast team. Could they have a fertility chair there too? Perhaps there is more to this mystery, involving prolonged exposure to Dreamcast Development kits? Only time will tell.......!!!
More news on the chair and other totally irrelevant wafflings next week...................
[4.12.1998]
Well, it's been a while, I know, but we're at one of those 'middle' stages of development where everything is busy busy behind the scenes, but no real exciting breakthroughs get made. The last couple of weeks have been really hectic, getting a demo ready for a Sega internal meeting. It's always difficult to put demos together when the game is in 'mid-flow' as some things aren't ready, and the programmers often need to hack temporary code in to make things work for the demo. However, it all came together well, and we hope Sega will be pleased with it.
A cool event since the last update was the Argonaut 'Red Dog' Team came up to play (!) a couple of weeks ago. It was really good to swap notes with another 1.5 party developer - it looks like Argonaut go about development the same way as us! The Artists all compared how things were being done, and the changes you have to make when working for a new and unknown platform. Evidently, we'd both had to explore similar avenues in the early stages.... which is reassuring to know! The Programmers got to swap Dreamcast coding tips, which was useful too.
After a useful day, we headed off to the local Est!Est!Est! Italian Restaurant, which provided the usual fantastic food. The Bizarre guys all settled down to the task of getting Jez and the guys as drunk as we could!!! This involved huge amounts of Italian wine and Grappa, an Italian liqueur, which is probably the best thing ever to give you a stonking hangover next day. Of course, we all talked about serious Dreamcast development issues all evening, honest!
When the restaurant finally got round to scraping us off the tables, we headed off to the Codemaster's 'Music' Launch Party in Liverpool city centre. The guys at Jester Interactive (the ones who came up with the idea and developed the game) were brilliant, and gave us VIP entry tickets for us and the Argonaut troop! The party had some brilliant DJ's, firedancers on 6 foot stilts (actually dancing!!), and free beer - always a popular addition!
The party was a real success, we all had fun playing 'Music' (give it a go, you'll love it!), drinking beer, dancing and saying hi to loads of game developers from the NW UK. Honourable drunken mentions go to Studio 33 (still standing but not quite coherent!), 'Game' Liverpool (definitely wobbling, and very late for work next day!), Philip Morris (a beer and a big grin), Curly Monsters (far too sober when we saw them!), Jenny??? (Martyn's only Wiz 'n' Liz fan!!!), and of course Codemasters and Jester Interactive (whose musician had to leave to stop his house exploding due to a gas leak!)
Happily for some, I'm not going to mention anything about plans for strip clubs, Walter's Pec's, or anyone getting really drunk (as we all went to bed with a cup of cocoa at 10pm, following the shining example that Nick always sets). OK?
Well, sorry it's not been the most informative of update regarding the game, but as we're still only mid-development, there is nothing really exciting to report. The cities are gradually getting modelled (a long and detailed process!), the game's gradually being coded, and when there's more concrete progress that we can talk about in detail, we'll let you know!
[18.9.1998]
Well, it's now post ECTS, with the standard aching legs and free t-shirts, but the pressure's still on!!
ECTS was cool as usual, and it was really great to see glimpses of the other Dreamcast titles, and a longer look at Sonic Adventure. The quality of all the titles was high, and it really looks like Sega are going to have an awesome line-up at both Japanese and European launch. We've many months of development left on our game, but there's obviously still lots to do before European launch! Looking at the near-finished Japanese titles is certainly an inspiration!
We have an internal demo deadline looming now, which should get us to a set stage in development by the 29th of this month. ECTS provided a brief respite for the team, but it's back to work in earnest now. For example, we're starting to get engine optimisations in place to take advantage of the later development kits, and to get some of the early 'driving' effects in.
The artists are all concentrating on a set goal, which is hard to describe without giving too much of the game away (I hear you say 'darn it'!) The texturing is proving to be the most time-consuming task for all the artists, as we're trying to get a high level of detail in both modelling and texturing terms.
So it's busy, busy, busy for now!
[21.8.1998]
Time for another update, I suppose!
Things have been building up pace in the last month or so, especially on the art side of things. Some of the Artists have been out of the office on research trips for the game, and there's plenty of research material cluttering up the Metropolis end of the office. We're having to get another 4 bookcases, just to cope with this batch of materials!!
On the programming side, the editor is nearly sorted, and the artists are using it to get the initial layouts in place. It's difficult at this stage, because you're developing the editors alongside the layouts themselves, and also alongside the need to have something playable for the gameplay side of things. It's an iterative process (big word for a Friday, I know) - everyone starts with something basic, and then you all build on it in stages, until you achieve the desired result.
As an aside, there's a nice little development community building up around Dreamcast over here in Europe already. The 1.5 party developers have been joined (in a development sense) by other key developers from around Europe. These newer developers are just finding their feet, and we're realising we can help them out, having gone through this stage ourselves. We met up a couple of weeks ago with another UK development team, who were just getting going on the kits (sorry, no names, but hello to them, they know who they are ;-) It's great to see loads of developers over here getting involved, and we wish them all well with their ideas.
[31.7.1998]
OK, here's the REAL update! Things are progressing fine, if a little slower on the artwork side - as there are 2 artists currently off somewhere secret on a research trip. We have a new texture artist starting on Monday to help all of the 3D artists out - but he's from the N-E of England, so we have to use a translator!
The programming is coming along well too, with the next revision of the 3D engine being started on now. 3D engines are always an iterative process - you do a bit, then do some more, then scrap some and re-do it, then add some more, then revise that, etc. etc.....
A bit of a worry this week has been the rabbits. We have had an outbreak of rabbits in a Metropolis city, which has caused many problems...... A programmer who shall remain nameless found an old cartoony animation of a rabbit and inserted loads of the little buggers into the city. It looked totally hilarious, especially when the cute little animals hopped bouncily up to and tried to jump off an overhanging bridge!!!
[5.6.1998]
An Introduction to Sega
Yippee! We can finally talk about Metropolis! It's been so difficult keeping this project secret, along with the fact that we've been Dreamcast developers for a long time now! We thought the game was up about a week or so before the Press Conference in Japan, when Game-Online said that they knew about a project codenamed 'Crimson' in development. Luckily, a hasty name change seemed to cover that one up, and we managed to keep the game quiet until the conference, which was Sega Europe's aim!
And from now we can be a little more open in the Diaries, and chart the progress of the project on the new platform, rather than avoiding the issue! Perhaps some of the earlier diaries make a little more sense now, especially when you know Sega is the publisher too!
In this diary, I want to bring you up to date with the cool we're working with (I'll leave the more nitty gritty project details for the next update). So now let me introduce you all to a few people from Sega, who have been mentioned under codenames in previous diaries:
Kats 'Kylie' Sato: Kats is our Senior Producer, who looks after us, works with us on game design issues, and doesn't make the tea - but we're working on that! You may have heard his name before from his work on Sonic R (Producer), Clockwork Knight (Character and game Designer) and if you're really old (!), Outrunners (Artist). Kats is Japanese, as you might have guessed, and used to work in Sega AM and CS departments, before being sent to Europe to persecute European developers. Our current quest with Kats is to teach him the English art of sarcasm!
Jose 'Josephine' Aller: Jose is also working on the project, as our Assistant Producer. Jose has worked at Sega Europe since the distant days of the Megadrive (Genesis for our American cousins) in the 3rd Party support group. And now - perhaps as a punishment for some hideous crime? - he has been paired up with Kats to work in Development on our Metropolis Project. Jose is a very good Producer, mainly down to the fact that he's ACTUALLY MADE THE TEA - hint, hint, Kats! Our current quest with Jose is to find out his 2 very secret middle names which he won't tell us!
Mark Maslowicz: Mark is the cool dude who now manages Third Party Licensing and Acquisitions. He generally looks after us little developers, and is probably the first port of call for any developers interested in Dreamcast development. Mark carries some interesting photos in his wallet (scanner at the ready!), and has been known to use one of them as an excellent chat-up line - 'Would you like to see my Ferrari?'
'Hoshy' Hoshino: Mr Hoshino has recently moved over from Japan to head up the Third Party division of Sega Europe, and deals mainly with business issues. He's been helping the Bizarre bunch out in many ways, including teaching us some useful Japanese phrases, and introducing us to Grappa, an Italian liqueur, which is well recommended if you want an excellent hangover!
Colin Carter: Colin is in charge of European Technical Support department in London, and therefore speaks many languages - C, C++, binary..... Although the story of Colin's karaoke rendition of 'Anarchy in the UK' has reached the far corners of the development community, Colin has another deep dark secret which we won't mention. Honest. Nope, not at all.
There are, of course, many other people we have been working with in both Sega Europe and Japan, but those mentioned are the people who have to put up with us on a day-to-day basis. We'd like to say a big hello and thank you to them all!
Metropolis itself is progressing well - the progress report on the project will follow in the next update.
[24.4.1998]
This occurred as someone found out that a game called Crimson was in development for Dreamcast. It was important that we kept our Dreamcast involvement secret until the press conference in Japan, hence the swift denials and hurried name change!
[4.4.1998]
Well, the demo is finished and done and sent off! It seems to be well received, which is alright with us!
We've learnt quite a bit in doing the demo. It was a great testing ground for the tools, and also the methods the artists are using for modelling. The artists are planning how to take the next stage further, and doing some test pieces to see if the current theories are correct.
Playability is such a major part of any game, and the planning of the playing environment is the latest issue we're working on. It's difficult to describe without actually explaining the game, so I'm afraid you'll have to bear with us on this one for the time being.
However, our new Publishers have provided us with some brilliant people to support the development, so they've been helping out where-ever they can. Hello to them - they know who they are!!!
Still don't know when the game is going to be announced, especially as its so early on in development. All the PR and marketing for a new game always has to be carefully planned and scheduled, so you have to keep things under wraps until it's all ready to go. But you can be sure we'll let you know what it is as soon as we can!
[6.3.1998]
Working towards another demo, which is designed to show us how well all our tools and methods are working for constructing the game. No 'day-by-day' account, I'm afraid, as the webmaster was on holiday and therefore not there to witness the progress in person!
The last demo done was playable, but still had the test engine and no AI at all. This is the first time that the beginnings of the real engine, and early AI are actually in the game, so it will be interesting to see how it all fits together.
The artists are working on bringing together the modular work they have been doing, and seeing how well it all works, especially with the editor.
So tune in next week for a blow-by-blow account of how it's gone!!
[13.2.1998]
It's a busy time for the Crimson team, with an internal demo deadline at the end of the month. And so, with the law of sod, this week has been as hectic as they come.
Monday: Some Austrian Journalists and Competition winners come to play. Matt scares them, and the Artists show them the F1 tracks and stuff. People have trouble remembering how F1 and F1 '97 were made! Well, it was months and months ago! Big respect due from all of us to the guy from Red Bull who visited. He doesn't realise how his product kept everyone going through the long nights putting the games together! We swap him a huge F1 '97 Jean Alesi for some Red Bull - sounds like a good deal!
Tuesday: The Crimson team invite their friends, Kylie and Josephine, over to play. Kylie beats her high score at Nemesis. Pizza for lunch - Steve from Psygnosis offers us all eating lessons.
Wednesday: Dave sulks all day as Nemesis - his favourite - has been replaced in the office arcade machine by Robocop. Everyone else tries to get top of the Robocop league.
Thursday: Not even the new machines arriving could stop the despondency felt by the team when a friend of theirs didn't come over. Boo Hoo! Keef was so upset, he went to Paris for the week-end.
Friday: A big meeting to check the progress of the project. All seems to go smoothly - the programmers didn't need the straight jackets much. Everyone's happy with progress, and so celebrations are in order! We all go to the bowling alley after work for a few shandies, to take over the pool tables, and to try and beat the high score on 'House of the Dead'!
Tuesday, 3 November 2015
Happy 15th Anniversary MSR
Here's a short article from Eurogamer Spain. Nice to see someone else remembers the day! :)
http://www.eurogamer.es/articles/metropolis-street-racer-articulo-15-aniversario
And here's a review from a US game show called Xtended Play.
http://www.eurogamer.es/articles/metropolis-street-racer-articulo-15-aniversario
And here's a review from a US game show called Xtended Play.
Monday, 2 November 2015
MSR Early Videos (earliest video first - descending order)
The earliest ones. 2 identical videos dating from late 1998-early 1999. One was from the old Game Fan website and the other refers to the game under its earlier name, Project Metropolis.
A little later into 1999 now with an interview spot on French TV. The show was called Game Play.
This is from the same time frame as the previous video. A spot on a Spanish show called DOF6. A bit more footage from within Bizarre Creation's studios.
Late '99 now and the original head coder has left Bizarre Creations at this point. The game begins to resemble the final version, although the "gang mode" car colours are still present.
Sunday, 1 November 2015
MSR Game Credits
Design, Coding and Artwork
Bizarre Creations
Music, Sales, Marketing and PR
Sega Europe
Bizarre Staff Programming
Design, Structure and Frontend
Martyn CHUDLEY
Technical Coding
Roger PERKINS
Engine and Dynamics Coding
Walter LYNSDALE
Tools and Effects Coding
Phil SNAPE
AI Coding
Dave ALDAINI
Sound Coding
Jonathan AMOR
Additional Coding
Keith PICKFORD
Bizarre Staff Artwork
Shibuya and Shinjuku Modelling
Jon DUGDALE
Financial District and Pacific Heights Modelling
Mark SHARRATT
Trafalgar and Westminster Modelling
Julie MCGURREN
St James's and Westminster Modelling
Derek CHAPMAN
Frontend Artwork & City Textures
Gren ATHERTON
Asakusa Modelling
Paul SPENCER
Car & City Textures
Lee CARTER
Fishermans Modelling
Glen GRIFFITHS
Car Modelling
Steve HEANEY
Production
Senior Producer
Brian WOODHOUSE
Associate Producer
Pete WALLACE
Quality Assurance
QA Manager
Ged TALBOT
Quality Assurance
Glyn WILLIAMS
Kev REILLY
Bizarre Biz
Managing Director
Martyn CHUDLEY
Business Director
Sarah DIXON
Technical Director
Walter LYNSDALE
Business Manager
Michelle LANGTON
Sega Staff
Executive Producer
Kats SATO
Associate Producer
Jose ALLER
Lead Tester
Pete O'BRIEN
Music and Sound Effects
Richard JACQUES
Thanks for Playing
Metropolis Street Racer
Bizarre Creations Staff
Programming
Design, Structure and Frontend
Martyn Chudley
Technical Coding
Roger Perkins
Engine and Dynamics Coding
Walter Lynsdale
Tools, Effects, Additional Frontend Coding
Phil Snape
AI Coding
Dave AI-Daini
Sound Coding
Jonathan Amor
Additional Coding
Keith Pickford
2D/3D Artwork
Shibuya Modelling, Shinjuku Modelling,
Additional Asakusa Modelling,
Additional Car Modelling, City Textures
Jon Dugdale
Financial District Modelling, Pacific Heights Modelling,
Additional Fishermans Modelling,
Additional Car Modelling, City Textures
Mark Sharratt
Trafalgar Modelling, Westminster Modelling,
Additional Car Modelling, City Textures
Julie McGurren
St. James Modelling, Westminster Modelling,
Additional Car Modelling, City Textures
Derek Chapman
Asakusa Modelling,
Additional Car Modelling, City Textures
Paul Spencer
Fishermans Wharf Modelling,
Additional Car Modelling, City Textures
Glen Griffiths
Car Modelling
Steve Heaney
2D Artwork
Frontend Artwork, City Textures
Gren Atherton
Car Textures, City Textures
Lee Carter
Production
Senior Producer
Brian Woodhouse
Associate Producer
Pete Wallace
Public Relations
Sarah Dixon
Office Management
Michelle Langton
Quality Assurance
QA Manager
Ged Talbot
Production Support & QA
Glyn Williams
Quality Assurance
Kev Reilly
Research
San Francisco Researcher
Alison Marr
Tokyo Researcher
Taiko Higuchi
Cars and General Researcher
Michael Woodhouse
Liverpool Quality Assurance
Scott Denton, Paul Reevell, Richard Ryves,
Graham Buxton, Andy Yasities, Christopher Pickford,
Emma Pye, James Taylor, Richard Duggan, James Harrison,
David McCluskey, Joseph Murray, Ian Wilding, Simon Reevell
Sega Europe, Ltd.
Product Department
Director of Product Development
Naohiko Hoshino
Executive Producer
Kats Sato
Associate Producer
Jose Aller
Sound Producer
Richard Jacques
Test Manager
Jason Cumberbatch
Lead Tester
Pete O'Brien
Associate Lead Testers
Dan Stater, Nick Bennet, Mark Dearsley, Wayne Gardner
Technical Support Manager
Serge Plagnol
Hardware Engineer
Tamer Tahsin
Support Engineer
Sandeep Bisla
Spanish Translator
Roberto Párraga-Sánchez
German Translator
Angelika Michitsch
French Translator
Caroline Ruiz
Producer (Japan)
Katsuhiro Hasegawa
Producer (USA)
Howard Gipson
Marketing Support
Euro Product Marketing Manager
Jim Pride
Euro Product Marketing Executive
Mathew Quaeck
UK
Tunde Orelaja
France
Cedric Marechal, Benoit Bohet
Germany
Kim Shon, Tina Sakowsky
Spain
Begona Sanz, Esther Barral
Manual & Packaging
Senior Designer
Ross McLeish
Localisation/Design Co-Ordinator
Sarah Ward
Network Support & Marketing
Director - Network
Keizo Fukahori
European Promotions Manager
Neil Russell
European Promotions Executive
Rosle Newey
Online Game Server Engineer
Colin Carter
Online Editor
Steve Bradley
Operations & Manufacture
European Operations Director
Naoya Turumi
Product Planning Manager
Hitoshi Okuno
Sega Europe Management
Chief Executive Officer
Jean-François Cecillion
Chief Operating Officer
Kazutoshi Miyake
Music and Sound
Music and lyrics by Richard Jacques
Featured Artists
Vocals
Jason R. Campbell, Helana Davison, Gavin Skeggs,
Stephen Stapley, MC Stepz
Electric and Acoustic Guitars
Stuart Lee
Additional Guitars
Richard Jacques
Bass
Matthew Lee
Acoustic Piano, Percussion, Programming
Richard Jacques
Trumpet and Flugel
Gerard Presencer
Saxophones
Nigel Hitchcock
Trombone
Mark Nightingale
Horn section arranged by Mark Nightingale
and Richard Jacques
Horns recorded by Matt Howe and Neil Tucker
at Metropolis studios
All tracks engineered, mixed and produced
by Richard Jacques at Sega Digital Studio (Europe)
Voice Artists
Noriko Alda, Sophia Ashen, Tim Bentinck, Andrew Burt,
Elizabeth Conboy, Ben Fairman, Elly Fairman,
Stefan Ashton Frank, Steve Hope Wynne, Togo Igawa,
Naoko Mori, Larissa Murray, Akemi Otani, John Schwab,
Laura Shavin, Hiroyuki Tachimoto
Voice Overs recorded by Jonathan Cook at Hobsons
Sample CD's used in this soundtrack include
Miroslav Vitious Orchestra (Unisync)
Peter Siedlaczek's Advance Orchestra (Best Service)
Masterkit (Real Drum Company)
Datafile 3 (Zero G)
Intro Movie
Mathew Quaeck, Matthew Ashton
Special Thanks to:
Sam Hall, Dominic Evans (Ford), Paul Delderfield,
Peter Lait, Jyate Bacon, Jim Twigg, Thomas Szirtes,
David Nulty, Charlie Thomas, Yukifumi Makino, Orelaja,
Helen Ttofa, Atsuya Sato, Sam Toms, Mimi Morozumi,
Keith Anderson
All at MIRA, all at Jensen Motors, Richard Leadbetter,
Ron Dixon, Keith Stuart, Ed Lomas, Shigeru Okada,
Helen Ttofa, Teruo Yabumoto, Hitoshi Okuno,
Takuya Matsumoto
Alfa, Audi, Fiat, Ford, Jensen, Mazda, Mercedes,
Mitsubishi, Nissan, Opel, Peugeot, Renault, Rover,
Toyota, TVR, Vauxhall
All manufacturers, cars, names, brands and associated
imagery featured in this game are trademarks and/or
copyrighted materials of their respective owners.
All rights reserved. Although the game features
the trademarks and the designs of the cars actually
produced and/or distributed by Toyota, Nissan,
Mitsubishi, Mazda in Japan, the trademarks and
the designs of the cars that appear in the game is
as those cars are produced and/or distributed in Japan.
Merci à Automobiles Peugeot pour son aimable collaboration.
Merci à Renault pour son aimable collaboration.
TGI Friday's is a trademark of TGI Friday's of Minnesota, Inc.
Produced under the authority of The Coca-Cola Company,
owner of the trademarks 'COKE' and 'COCA-COLA'.
(c) Bizarre Creations Ltd. 2000 All Rights Reserved.
(c) Sega Enterprises Ltd. 2000 All Rights Reserved.
Developed by Bizarre Creations Ltd.
Bizarre Creations
Music, Sales, Marketing and PR
Sega Europe
Bizarre Staff Programming
Design, Structure and Frontend
Martyn CHUDLEY
Technical Coding
Roger PERKINS
Engine and Dynamics Coding
Walter LYNSDALE
Tools and Effects Coding
Phil SNAPE
AI Coding
Dave ALDAINI
Sound Coding
Jonathan AMOR
Additional Coding
Keith PICKFORD
Bizarre Staff Artwork
Shibuya and Shinjuku Modelling
Jon DUGDALE
Financial District and Pacific Heights Modelling
Mark SHARRATT
Trafalgar and Westminster Modelling
Julie MCGURREN
St James's and Westminster Modelling
Derek CHAPMAN
Frontend Artwork & City Textures
Gren ATHERTON
Asakusa Modelling
Paul SPENCER
Car & City Textures
Lee CARTER
Fishermans Modelling
Glen GRIFFITHS
Car Modelling
Steve HEANEY
Production
Senior Producer
Brian WOODHOUSE
Associate Producer
Pete WALLACE
Quality Assurance
QA Manager
Ged TALBOT
Quality Assurance
Glyn WILLIAMS
Kev REILLY
Bizarre Biz
Managing Director
Martyn CHUDLEY
Business Director
Sarah DIXON
Technical Director
Walter LYNSDALE
Business Manager
Michelle LANGTON
Sega Staff
Executive Producer
Kats SATO
Associate Producer
Jose ALLER
Lead Tester
Pete O'BRIEN
Music and Sound Effects
Richard JACQUES
Thanks for Playing
Metropolis Street Racer
Bizarre Creations Staff
Programming
Design, Structure and Frontend
Martyn Chudley
Technical Coding
Roger Perkins
Engine and Dynamics Coding
Walter Lynsdale
Tools, Effects, Additional Frontend Coding
Phil Snape
AI Coding
Dave AI-Daini
Sound Coding
Jonathan Amor
Additional Coding
Keith Pickford
2D/3D Artwork
Shibuya Modelling, Shinjuku Modelling,
Additional Asakusa Modelling,
Additional Car Modelling, City Textures
Jon Dugdale
Financial District Modelling, Pacific Heights Modelling,
Additional Fishermans Modelling,
Additional Car Modelling, City Textures
Mark Sharratt
Trafalgar Modelling, Westminster Modelling,
Additional Car Modelling, City Textures
Julie McGurren
St. James Modelling, Westminster Modelling,
Additional Car Modelling, City Textures
Derek Chapman
Asakusa Modelling,
Additional Car Modelling, City Textures
Paul Spencer
Fishermans Wharf Modelling,
Additional Car Modelling, City Textures
Glen Griffiths
Car Modelling
Steve Heaney
2D Artwork
Frontend Artwork, City Textures
Gren Atherton
Car Textures, City Textures
Lee Carter
Production
Senior Producer
Brian Woodhouse
Associate Producer
Pete Wallace
Public Relations
Sarah Dixon
Office Management
Michelle Langton
Quality Assurance
QA Manager
Ged Talbot
Production Support & QA
Glyn Williams
Quality Assurance
Kev Reilly
Research
San Francisco Researcher
Alison Marr
Tokyo Researcher
Taiko Higuchi
Cars and General Researcher
Michael Woodhouse
Liverpool Quality Assurance
Scott Denton, Paul Reevell, Richard Ryves,
Graham Buxton, Andy Yasities, Christopher Pickford,
Emma Pye, James Taylor, Richard Duggan, James Harrison,
David McCluskey, Joseph Murray, Ian Wilding, Simon Reevell
Sega Europe, Ltd.
Product Department
Director of Product Development
Naohiko Hoshino
Executive Producer
Kats Sato
Associate Producer
Jose Aller
Sound Producer
Richard Jacques
Test Manager
Jason Cumberbatch
Lead Tester
Pete O'Brien
Associate Lead Testers
Dan Stater, Nick Bennet, Mark Dearsley, Wayne Gardner
Technical Support Manager
Serge Plagnol
Hardware Engineer
Tamer Tahsin
Support Engineer
Sandeep Bisla
Spanish Translator
Roberto Párraga-Sánchez
German Translator
Angelika Michitsch
French Translator
Caroline Ruiz
Producer (Japan)
Katsuhiro Hasegawa
Producer (USA)
Howard Gipson
Marketing Support
Euro Product Marketing Manager
Jim Pride
Euro Product Marketing Executive
Mathew Quaeck
UK
Tunde Orelaja
France
Cedric Marechal, Benoit Bohet
Germany
Kim Shon, Tina Sakowsky
Spain
Begona Sanz, Esther Barral
Manual & Packaging
Senior Designer
Ross McLeish
Localisation/Design Co-Ordinator
Sarah Ward
Network Support & Marketing
Director - Network
Keizo Fukahori
European Promotions Manager
Neil Russell
European Promotions Executive
Rosle Newey
Online Game Server Engineer
Colin Carter
Online Editor
Steve Bradley
Operations & Manufacture
European Operations Director
Naoya Turumi
Product Planning Manager
Hitoshi Okuno
Sega Europe Management
Chief Executive Officer
Jean-François Cecillion
Chief Operating Officer
Kazutoshi Miyake
Music and Sound
Music and lyrics by Richard Jacques
Featured Artists
Vocals
Jason R. Campbell, Helana Davison, Gavin Skeggs,
Stephen Stapley, MC Stepz
Electric and Acoustic Guitars
Stuart Lee
Additional Guitars
Richard Jacques
Bass
Matthew Lee
Acoustic Piano, Percussion, Programming
Richard Jacques
Trumpet and Flugel
Gerard Presencer
Saxophones
Nigel Hitchcock
Trombone
Mark Nightingale
Horn section arranged by Mark Nightingale
and Richard Jacques
Horns recorded by Matt Howe and Neil Tucker
at Metropolis studios
All tracks engineered, mixed and produced
by Richard Jacques at Sega Digital Studio (Europe)
Voice Artists
Noriko Alda, Sophia Ashen, Tim Bentinck, Andrew Burt,
Elizabeth Conboy, Ben Fairman, Elly Fairman,
Stefan Ashton Frank, Steve Hope Wynne, Togo Igawa,
Naoko Mori, Larissa Murray, Akemi Otani, John Schwab,
Laura Shavin, Hiroyuki Tachimoto
Voice Overs recorded by Jonathan Cook at Hobsons
Sample CD's used in this soundtrack include
Miroslav Vitious Orchestra (Unisync)
Peter Siedlaczek's Advance Orchestra (Best Service)
Masterkit (Real Drum Company)
Datafile 3 (Zero G)
Intro Movie
Mathew Quaeck, Matthew Ashton
Special Thanks to:
Sam Hall, Dominic Evans (Ford), Paul Delderfield,
Peter Lait, Jyate Bacon, Jim Twigg, Thomas Szirtes,
David Nulty, Charlie Thomas, Yukifumi Makino, Orelaja,
Helen Ttofa, Atsuya Sato, Sam Toms, Mimi Morozumi,
Keith Anderson
All at MIRA, all at Jensen Motors, Richard Leadbetter,
Ron Dixon, Keith Stuart, Ed Lomas, Shigeru Okada,
Helen Ttofa, Teruo Yabumoto, Hitoshi Okuno,
Takuya Matsumoto
Alfa, Audi, Fiat, Ford, Jensen, Mazda, Mercedes,
Mitsubishi, Nissan, Opel, Peugeot, Renault, Rover,
Toyota, TVR, Vauxhall
All manufacturers, cars, names, brands and associated
imagery featured in this game are trademarks and/or
copyrighted materials of their respective owners.
All rights reserved. Although the game features
the trademarks and the designs of the cars actually
produced and/or distributed by Toyota, Nissan,
Mitsubishi, Mazda in Japan, the trademarks and
the designs of the cars that appear in the game is
as those cars are produced and/or distributed in Japan.
Merci à Automobiles Peugeot pour son aimable collaboration.
Merci à Renault pour son aimable collaboration.
TGI Friday's is a trademark of TGI Friday's of Minnesota, Inc.
Produced under the authority of The Coca-Cola Company,
owner of the trademarks 'COKE' and 'COCA-COLA'.
(c) Bizarre Creations Ltd. 2000 All Rights Reserved.
(c) Sega Enterprises Ltd. 2000 All Rights Reserved.
Developed by Bizarre Creations Ltd.
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